Color Grading Masterclass
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Module 00: Starting the Journey

01 - Introduction.mov
02 - Files Location.mov
03 - Importing Projects.mov
04 - Setting up the enviorement.mov
Module 01 : Davinci Resolve Workflow

06 - General Overview.mov
07 - Setting up a Database.mov
08 - Databases working must.mov
09 - Settings and preferences .mov
10 - Importing footage correctly.mov
11 - Creating and Organizing Folders.mov
12 - Proxy Creation.mov
13 - Proxy Workflow.mov
14 - Boosting up Davinci Resolve Performances.mov
Module 02: The Editing Room

15 - Create a Timeline.mov
16 - Timeline Settings.mov
17 - Importing, Exporting, Conforming Timelines.mov
18 - Must Know Shortcuts.mov
19 - The Effects Panel.mov
20 - Keyframes & Time Remapping.mov
21 - Setting up a Timeline in order to edit faster.mov
Module 03: Color Correction

AAA Understanding Color Correction.mov
22 - The Color Page.mov
23 - Reading and understanding scopes.mov
24 - Understanding white balance.mov
25 - Where skintones sits.mov
26 - Setting the right clip exposure.mov
27 - Color Correcting with Primaries Wheels.mov
28 - Match clips between different cameras.mov
29 - Using Split Screen to match clips.mov
30 - Creating exporting and applying stills.mov
31 - Creating, exporting, applying a node tree.mov
32 - Local and remote grades.mov
33 - The LUTs Folder.mov
34 - Applying and exporting LUTs.mov
35 - Conversion LUTs.mov
36 - Using groups, markers and flags.mov
37 - Make it POP out from the frame.mov
38 - Finalyzations and Analysis before ColorGrading.mov
Module 04: Colorist's Secret Tools

39 - Primaries Correction.mov
40 - Secondaries Correction.mov
41 - Re-positioning, key framing, tracking.mov
42 - Qualification 101.mov
43 - Complete guide to nodes.mov
Module 05: Color Grading

AAA Mindset before Color Grading.mov
44 - Understanding the Color Grading with Primaries Wheels & Color Wheels.mov
45 - Memory Colors Skyes.mov
46 - Memory Colors Greens.mov
47 - Memory Colors Skintones.mov
48 - Deep control of Contrast.mov
49 - Animating Grades.mov
50 - Artificial Lights.mov
51 - Skintones digital retouching.mov
52 - Shot Matching.mov
Module 06: Creating The LOOKS

AAA Mindset before Creating a Look.mov
53 - Hollywood Color Look.mov
54 - Orange & Teal Look.mov
55 - Sci-fi Look.mov
56 - Netflix Vintage Look.mov
57 - Noir Look.mov
58 - Bleach Bypass Look.mov
59 - Day for Night Look.mov
60 - ADS Pop Look.mov
Module 07: Clips finalization & Best Export Settings 

61 - Clips Cleanup.mov
62 - Data burn in.mov
63 - Right camera settings on the right project.mov
64 - Broadcast Safe.mov
65 - Best export settings for web.mov
66 - Loseless export for hi-end results.mov
67 - Previewing Exports.mov
Ending video.mov
Module 08: Davinci Resolve 17 | Newest Tools & Working Methods

68 - Managing the Color Space.mov
69 - Color Space Transform.mov
70 - PostgreSQL.mov
71 - Smart Bins.mov
72 - Pro Titles.mov
73 - Newest Inspector.mov
74 - Why using Proxy Media.mov
75 - Why using Clone Tool.mov
76 - Working with HDR wheels.mov
77 - The Color Warper.mov
78 - The Magic Mask.mov
79 - Gamut Limiter & Gamut Mapping.mov
80 - Updated Curves.mov
81 - WhyWhen using False Colors.mov
82 - Perfect Keying inside Resolve.mov
83 - Secondary FX.mov

Module 03: Color Correction

In this module we will craft the big knowledge behind color grading, this is the 'everything you need to know' before grading module essentially!

The Color Page
What we mean with 'Color Correction'
Differences from Color Grading
Understanding White Balance
Reading and understanding Scopes
Where Skintones sits
Setting the right clip exposure
Color Correcting with Primaries Wheels
Match clip from different cameras
Using the split screen to match clips
Creating/Exporting/Applying Stills
Creating/Exporting/Applying a node tree
Local and remote grades
The LUT folder
Applying and exporting LUTS
Conversion LUTS
Making it POP OUT from the frame
Finalyzing the CC Process
Image analysis before Color Grading

18 Lessons