Color Grading Masterclass
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- Masterclass Database & Files
Module 00: Starting the Journey

01 - Introduction.mov
02 - Files Location.mov
03 - Importing Projects.mov
04 - Setting up the enviorement.mov
Module 01 : Davinci Resolve Workflow

06 - General Overview.mov
07 - Setting up a Database.mov
08 - Databases working must.mov
09 - Settings and preferences .mov
10 - Importing footage correctly.mov
11 - Creating and Organizing Folders.mov
12 - Proxy Creation.mov
13 - Proxy Workflow.mov
14 - Boosting up Davinci Resolve Performances.mov
Module 02: The Editing Room

15 - Create a Timeline.mov
16 - Timeline Settings.mov
17 - Importing, Exporting, Conforming Timelines.mov
18 - Must Know Shortcuts.mov
19 - The Effects Panel.mov
20 - Keyframes & Time Remapping.mov
21 - Setting up a Timeline in order to edit faster.mov
Module 03: Color Correction

AAA Understanding Color Correction.mov
22 - The Color Page.mov
23 - Reading and understanding scopes.mov
24 - Understanding white balance.mov
25 - Where skintones sits.mov
26 - Setting the right clip exposure.mov
27 - Color Correcting with Primaries Wheels.mov
28 - Match clips between different cameras.mov
29 - Using Split Screen to match clips.mov
30 - Creating exporting and applying stills.mov
31 - Creating, exporting, applying a node tree.mov
32 - Local and remote grades.mov
33 - The LUTs Folder.mov
34 - Applying and exporting LUTs.mov
35 - Conversion LUTs.mov
36 - Using groups, markers and flags.mov
37 - Make it POP out from the frame.mov
38 - Finalyzations and Analysis before ColorGrading.mov
Module 04: Colorist's Secret Tools

39 - Primaries Correction.mov
40 - Secondaries Correction.mov
41 - Re-positioning, key framing, tracking.mov
42 - Qualification 101.mov
43 - Complete guide to nodes.mov
Module 05: Color Grading

AAA Mindset before Color Grading.mov
44 - Understanding the Color Grading with Primaries Wheels & Color Wheels.mov
45 - Memory Colors Skyes.mov
46 - Memory Colors Greens.mov
47 - Memory Colors Skintones.mov
48 - Deep control of Contrast.mov
49 - Animating Grades.mov
50 - Artificial Lights.mov
51 - Skintones digital retouching.mov
52 - Shot Matching.mov
Module 06: Creating The LOOKS

AAA Mindset before Creating a Look.mov
53 - Hollywood Color Look.mov
54 - Orange & Teal Look.mov
55 - Sci-fi Look.mov
56 - Netflix Vintage Look.mov
57 - Noir Look.mov
58 - Bleach Bypass Look.mov
59 - Day for Night Look.mov
60 - ADS Pop Look.mov
Module 07: Clips finalization & Best Export Settings 

61 - Clips Cleanup.mov
62 - Data burn in.mov
63 - Right camera settings on the right project.mov
64 - Broadcast Safe.mov
65 - Best export settings for web.mov
66 - Loseless export for hi-end results.mov
67 - Previewing Exports.mov
Ending video.mov
Module 08: Davinci Resolve 17 | Newest Tools & Working Methods

68 - Managing the Color Space.mov
69 - Color Space Transform.mov
70 - PostgreSQL.mov
71 - Smart Bins.mov
72 - Pro Titles.mov
73 - Newest Inspector.mov
74 - Why using Proxy Media.mov
75 - Why using Clone Tool.mov
76 - Working with HDR wheels.mov
77 - The Color Warper.mov
78 - The Magic Mask.mov
79 - Gamut Limiter & Gamut Mapping.mov
80 - Updated Curves.mov
81 - WhyWhen using False Colors.mov
82 - Perfect Keying inside Resolve.mov
83 - Secondary FX.mov

01 - Introduction.mov